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The aim of these vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the colorature and embellishments found in the works of our great composers.
Proceeding from the principle, that it is unpractical to practice a variety of difficult passages at the same time, I begin with exercises on two, three and four tones, then advancing progressively to more difficult exercises; leaving it to the teacher to transpose them a semitone higher or lower.
However, in order to avoid the monotony and lassitude which are almost inseparable from a strictly methodic course of study, I have endeavored to clothe my exercises in a musical and agreeable form; and have made them very short, to prevent overexertion of the voice. Following its avowed purpose, this work contains no exercises for sustained tones; and it will suffice to sing daily a few long-sustained tones, before taking up these exercises.
The results obtained with this method, and its approbation by several of the highest musical authorities, justify my hope, that it will find a favorable reception. This series of scores is intended to present these vocalises in many different keys. So, the students and pianists have not to transpose the lessons on the fly and may avoid by this way unnesserary errors.
It is important for singers to know exactly what tone they are actually singing and these transposed versions give them the chance to do so. By that way, they also can train their reading capabilities in different tonalities. Vocal Exercise Learning Tracks to help make the voice more flexible and mellow. Although originally intended for singers of the works of composers, they can be used by anyone who wishes to exercise the voice.
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Schirmer Lutgen Vocalises (20 Daily Exercises) Medium Voice – Book I
Lutgen Vocalises – Vocal Exercises
Die Kunst der Kehlfertigkeit (Lüdgen, B.)
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