Type :. Four elements or episodes of the story constitute the dramatic cornerstones of the composition. The piece opens with an emotional melody that depicts the person of Egmont and can be heard in various variations throughout the work. This is followed by a cheerful and virtuoso Renaissance dance which recalls the atmosphere of a midth century wedding party.
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Type :. Four elements or episodes of the story constitute the dramatic cornerstones of the composition. The piece opens with an emotional melody that depicts the person of Egmont and can be heard in various variations throughout the work. This is followed by a cheerful and virtuoso Renaissance dance which recalls the atmosphere of a midth century wedding party. It is not so much the celebration of the marriage between Count Lamoral of Egmont and Sabina of Bavaria which is depicted, but rather the mood of the party itself and the music that was played.
Towards the end of this part, the music reveals more Spanish influences; indeed the Low Countries were occupied by Spain and Egmont was a faithful follower of the Spanish king for whom he had been victorious at several battlefields. A cunning and dark theme underpinned by a sweeping accompaniment on Spanish guitar ad lib and castanets symbolises the power-mad and tyrannical figure of Philip who seemed to have put a spell on Egmont and others forcing him to help the king in his reign of terror.
Although he was known as a magnificent warrior, it is his vulnerability as a human being and the inner duality he is torn between his king and his people which are suggested here by the intimate sounds of the horn solo and the guitar arpeggios. The two themes come together and then go their own way - just like the two characters. This eventually ends in a grand tutti whereby the themes of both characters can be heard competing in a wild Spanish dance.
He was sentenced and executed at the Grand Place in Brussels. The music depicts Egmont walking on the execution scaffolding: Egmont as a martyr, betrayed by his friend Philip, walking to the tune of a pitiful death march towards his inevitable destiny. The execution resulted in shock and public outcry in the Low Countries and also in the rest of Europe; one of the most important noblemen had been executed in public for no specific reason.
This was the indirect cause of the continued resistance of the Low Countries against the Spanish occupier: a war which would last for 80 years. Thundering motifs of staccato horns are combined with a restless chorale theme accompanied by rolling of the large drum. The conflict drags on until William of Orange unites Protestants and Catholics and finally beats the Spanish.
After an extremely virtuoso part, a grand and victorious chorale is played by the entire orchestra which is alternated with signal phrases on the brass instruments. The piece ends with a brief section of the Dutch and the Belgian national anthems: it was out of this conflict that the countries of The Netherlands and Belgium ultimately arose.
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Site version :. Discover our catalog He Has Spent 7 years as aussi compose, arrange and live musician for the Children's musical theater, Wiebe. He is Currently teaching at the Katholieke Hogeschool Limburg aussi and working as a guest professor for different organizations and training courses.
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